◎译　　名　We Are Next of Kin
◎片　　名　Wir sind dann wohl die Angehörigen
◎年　　代　2022
◎产　　地　德国
◎类　　别　剧情
◎语　　言　德语
◎上映日期　2022-10-22(科隆电影节) / 2023-01-26(鹿特丹电影节)
◎豆瓣链接　https://movie.douban.com/subject/35320629/
◎片　　长　118分钟
◎导　　演　汉斯-克里斯蒂安·施密德 / Hans-Christian Schmid
◎演　　员　克劳德·海因里希 / Claude Heinrich
　　　　　　尤斯图斯·冯·多赫纳尼 / Justus von Dohnányi
　　　　　　恩诺·特雷布斯 / Enno Trebs
　　　　　　法比安·欣里希斯 / Fabian Hinrichs
◎编　　剧　米夏埃尔·古特曼 / Michael Gutmann
　　　　　　汉斯-克里斯蒂安·施密德 / Hans-Christian Schmid
◎剪　　辑　汉斯约格·白里奇 / Hansjörg Weißbrich

◎简　　介　

　　On the evening of 25 March 1996, Jan Philipp Reemtsma – tobacco-empire scion and multi-millionaire, academic, publicist and patron of the arts – was kidnapped in the vicinity of his Hamburg home. After a ransom of tens of millions of Mark was paid, Reemtsma was returned to his family. But what did his partner, psychoanalyst Ann-Kathrin Scheerer, and their son Johann do during those days of fearful waiting?
　　The latter, by now a successful music producer, remembered these times in his first book, which he insists on calling a novel: Wir sind dann wohl die Angehörigen (2018), which Hans-Christian Schmid has now turned into an extraordinarily sensitive piece of cinema. It is an anti-thriller that talks about the attempts of Reemtsma’s family and the police to keep up a sense of normality under the most extreme of circumstances.
　　Schmid shows how very deep, momentary yet nevertheless real emotions and relationships develop, in a setting that could barely be more theatrical, with cops becoming housemates etc. A subject truly to his liking, of course, as some of Schmid’s greatest films, like the made-for-TV fiction feature debut Himmel und Hölle (1994), or 23 (1998) or Requiem (2006) all deal directly with the fragile, illusory nature of reality. A masterpiece. Really.