◎译　　名　L'uomo che sfidò l'organizzazione / One Man Against the Organization
◎片　　名　L'uomo che sfidò l'organizzazione
◎年　　代　1975
◎产　　地　意大利 / 法国 / 西班牙
◎类　　别　剧情 / 犯罪
◎语　　言　意大利语
◎上映日期　1975
◎豆瓣链接　https://movie.douban.com/subject/3864415/
◎片　　长　87 分钟
◎导　　演　塞尔吉奥·格里彦可 / Sergio Grieco
◎演　　员　卡琳·舒伯特 / Karin Schubert
　　　　　　让-克洛德·德雷菲斯 / Jean-Claude Dreyfus
　　　　　　何塞·卡尔沃 / José Calvo
　　　　　　阿尔维托·达尔维斯 / Alberto Dalbés
　　　　　　Pietro Torrisi Pietro Torrisi
　　　　　　霍华德·罗斯 / Howard Ross
　　　　　　史蒂芬·博伊德 / Stephen Boyd
　　　　　　卢琪安娜·杜尼纳 / Luciana Turina
◎编　　剧　塞尔吉奥·格里彦可 / Sergio Grieco
　　　　　　拉斐尔·罗梅罗·马琴特 / Rafael Romero Marchent
◎音　　乐　路易斯·巴卡洛夫 / Luis Enríquez Bacalov

◎简　　介　

　　Yet another lackluster poliziottesco featuring a fading Hollywood star (in this case, Stephen Boyd): actually, he supports nominal lead Howard Ross as a drug courier who decides to make a run with the money. Jess Franco regular Albert Dalbes is one of Ross’ associates/opponents, while the drugs were destined to an excitable Russian (who supplies some initial comic relief and then disappears altogether). Among the ruses the hero adopts to make his passage safer is that of impersonating Special Agent Boyd – who has had his papers stolen by Ross’ girlfriend (Karin Schubert) while traveling on the same plane which was carrying the drug stash. As he happens to be after the organization himself, Boyd – rather than be cross with Ross {sic} – allows the latter to do most of the dirty work for him! At one point, however, Schubert is abducted, beaten and gang-raped by the vicious members the drug ring – with the latter scene filmed and fixed so that Ross can see it!!  The one novelty in the film is that the gang leader is, ostensibly, a rich lady with an attractive ‘lesbian’ secretary in tow; eventually, the former turns out to be a man in drag (though I must say that the make-up was pretty obvious) – an identity to which he reverts for the final getaway, with his accomplice hiding behind the vests of a nun! The film includes plenty of action – with an extended helicopter chase for the climax – but, all in all, Remy Julienne’s stunt-work here isn’t among the best on his track record; nevertheless, the pounding score by Luis Bacalov emerges as a definite asset.