◎译　　名　像警察一样活着,像男人一样死去 / Live Like a Cop, Die Like a Man
◎片　　名　Uomini si nasce poliziotti si muore
◎年　　代　1976
◎产　　地　意大利
◎类　　别　剧情 / 惊悚 / 犯罪
◎语　　言　意大利语
◎上映日期　1976-03-11
◎豆瓣链接　https://movie.douban.com/subject/3722602/
◎片　　长　100 分钟
◎导　　演　鲁杰罗·德奥达托 / Ruggero Deodato
◎演　　员　马克·波雷尔 / Marc Porel
　　　　　　雷·洛夫洛克 / Ray Lovelock
　　　　　　阿道弗·切利 / Adolfo Celi
　　　　　　弗兰科·奇蒂 / Franco Citti
　　　　　　西尔维娅·迪奥尼西奥 / Silvia Dionisio
　　　　　　马里诺·梅瑟 / Marino Masé
　　　　　　雷纳托·萨尔瓦托雷 / Renato Salvatori
　　　　　　Sergio Ammirata Sergio Ammirata
　　　　　　布鲁诺·科拉扎里 / Bruno Corazzari
　　　　　　Daniele Dublino Daniele Dublino
　　　　　　索菲娅·迪奥尼西奥 / Sofia Dionisio
　　　　　　布鲁诺·迪·鲁亚 / Bruno Di Luia
　　　　　　Claudio Nicastro Claudio Nicastro
　　　　　　Gino Pagnani Gino Pagnani
　　　　　　阿尔瓦罗·维塔利 / Alvaro Vitali
　　　　　　迈克尔·福瑞斯特 / Michael Forest
　　　　　　鲁杰罗·德奥达托 / Ruggero Deodato
　　　　　　佩特罗·塞卡雷利 / Pietro Ceccarelli
　　　　　　玛格丽特·霍洛维茨 / Margherita Horowitz
◎编　　剧　费尔南多·迪·莱沃 / Fernando Di Leo

◎简　　介　

　　Alfredo and Antonio are recruited to join a Special Force for the police dedicated to fighting the Rome underworld using any tactics they think appropriate. Trying to chase down top mobster Pasquini, they pick on his nymphomaniac sister and literally pump her for information. Their attentions don’t escape Pasquini’s notice and he plans to put them out of commission.
　　Live like a Cop was hugely successful and it isn’t hard to see why. The film begins with an extended motorbike chase at full tilt through Rome which includes a mugger’s victim being dragged behind one bike and a guide dog being run over whilst it’s blind owner is left in the middle of a traffic crossing. When our two hunk heroes capture the muggers, the one still living is “helped” by Alfredo breaking his neck. Porel and Lovelock look gorgeous in this film and their relationship is a very odd one. They travel anywhere sharing one bike, sleep in the same bedroom and share women. This film is almost their romance!
　　Fernando Di Leo provides the script and Deodato has done it justice with flashes of sharp wit, black humour and sassy dialogue balanced along great fights, torture and explosions when needed. The opening bike chase is a little overstated and almost silly by it’s conclusion, but the casual brutality of the violent cops is well done with Adolfo Celi doing well as their Police Captain who tears them off a strip only to ignore their excesses.
　　The film is immensely enjoyable but not in the top rank of great Euro crime as the drama seems a bit scattergun and the amorality a little wearing. Still, it’s a great watch for Euro Crime fans.