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The Place Beyond the Pines [Blu-ray]
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Additional Multi-Format options | Edition | Discs | Price | New from | Used from |
Watch Instantly with | Rent | Buy |
Purchase options and add-ons
Genre | Drama, DVD Movie, Blu-ray Movie, Action & Adventure/Thrillers |
Format | Multiple Formats, Color, NTSC, Widescreen, Blu-ray, Ultraviolet |
Contributor | Mahershala Ali, Rose Byrne, Dane DeHaan, Bradley Cooper, Derek Cianfrance, Jamie Patricof, Ben Coccio, Ray Liotta, Eva Mendes, Ryan Gosling, Sidney Kimmel, Lynette Howell, Darius Marder, Alex Orlovsky, Ben Mendelsohn, Emory Cohen See more |
Language | English |
Runtime | 4 hours and 42 minutes |
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Product Description
Amazon.com
"The place beyond the pines" is an idiomatic translation of the Native American word Schenectady, which is the tucked-away upstate New York setting where the triptych dramas of The Place Beyond the Pines unfold with deft, emotional grace. This second feature from director Derek Cianfrance is an ambitious reach into tragedy, honor, and responsibility experienced between fathers and sons. Even though the result falls a little short of his grasp, there's no denying the beauty and passion in the story he tells with such measured artistry and eloquent attention to process and form. Unlike his impressive debut, Blue Valentine, which hewed to a structure that lurched forward and back in observing the beginning and ending of a marriage, Pines follows a linear chronology in its three acts, but it is similarly jarring in the way the narrative plays out so unexpectedly. Act one follows Luke (Ryan Gosling), a motorcycle daredevil on the carnival circuit who discovers that the fling he had last year with Romina (Eva Mendes) left him with a son. The shell of tattoos and leather jacket Luke hides under can't disguise the effect this new reality has on him. He decides to stick around and try to weasel into the role of being a father, turning to bank robbery as a means of providing the support he believes he must. The story's second act abruptly leaves Luke behind, shifting the focus to Avery (Bradley Cooper), a rookie local cop with a law degree who truly wants to do good, even though police corruption is endemic even on the nice streets he patrols in his placid place beyond the pines. Avery also has a new son, but as much as Luke yearned to shower love on his boy, circumstances have led Avery to shut down and deny any feeling toward his child or his wife (Rose Byrne). Part three takes place 15 years later, when fate brings the two boys together and the legacy left to them by their fathers comes home to roost in an equally unpredictable fashion. AJ and Jason (Emory Cohen and Dane DeHaan) are thrown together in the unpleasantly realistic dance of teenage angst as Avery and Luke's sons. They are at first unaware of their fathers' association until the inevitable revelation and partial role reversal that winds the movie down. All the performances are terrific and Ryan Gosling and Bradley Cooper are at the top of their game, though their interaction is limited to one brief sequence. Gosling feels a little typecast as the moody, stone-faced, quick-tempered guy we've seen him play before, but his entire body is engaged in the way he snaps from calm to rage at the emotions brewing inside. Cooper is restrained and playing somewhat against type as a man who should be the hero, even though he's got more villain in him than the movie outright admits. Cianfrance displays an enormous advance as an auteur. The Place Beyond the Pines may not be the fully realized work he intended, but it is an absorbing and often deeply moving exercise in family dynamics and destinies that are never certain. --Ted Fry
Product details
- Aspect Ratio : 2.40:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 6.75 x 5.3 x 0.45 inches; 2.82 ounces
- Item model number : 26920213
- Director : Derek Cianfrance
- Media Format : Multiple Formats, Color, NTSC, Widescreen, Blu-ray, Ultraviolet
- Run time : 4 hours and 42 minutes
- Release date : August 6, 2013
- Actors : Ryan Gosling, Bradley Cooper, Eva Mendes, Ray Liotta, Rose Byrne
- Subtitles: : French, Spanish
- Producers : Jamie Patricof, Lynette Howell, Sidney Kimmel, Alex Orlovsky
- Language : English (DTS-HD Master Audio 5.1), English (Dolby Digital 5.1)
- Studio : Universal Pictures Home Entertainment
- ASIN : B00BEIYKSA
- Writers : Derek Cianfrance, Ben Coccio, Darius Marder
- Number of discs : 2
- Best Sellers Rank: #9,714 in Movies & TV (See Top 100 in Movies & TV)
- #342 in Mystery & Thrillers (Movies & TV)
- #1,135 in Drama Blu-ray Discs
- #1,333 in Action & Adventure Blu-ray Discs
- Customer Reviews:
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The Place Beyond The Pines: Epic (TV Spot)
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The Place Beyond The Pines: This Is Our Problem
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The Place Beyond The Pines: Wanna Go For A Ride? (Uk)
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The Place Beyond The Pines: This Is Our Problem (Uk)
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The Place Beyond The Pines: Dane Dehaan On Jason And Aj
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𝑴𝒚 𝒍𝒊𝒇𝒆'𝒔 𝒏𝒐𝒕 𝒂 𝒄𝒂𝒎𝒑𝒂𝒊𝒈𝒏.
𝑰𝒕'𝒔 𝒎𝒖𝒄𝒉 𝒔𝒊𝒎𝒑𝒍𝒆𝒓 𝒕𝒉𝒂𝒏 𝒕𝒉𝒂𝒕.
The Place Beyond the Pines is a 2012 American neo-noir crime drama film directed by Derek Cianfrance, and written by Cianfrance, Ben Coccio, and Darius Marder. The film tells three linear stories: Luke (Ryan Gosling), a motorcycle stunt rider who supports his family through a life of crime, Avery (Bradley Cooper), an ambitious policeman who confronts his corrupt police department, and lastly, two troubled teenagers (Emory Cohen and Dane DeHaan) who explore the aftermath of Luke and Avery fifteen years later.
The success of this film undoubtedly rests on the shoulders of its starring actors - and, boy, are they capable of heavy lifting. Despite the variances in screen time, each one - both new and seasoned - delivers devastatingly weighted performances; the scales are tipped in their favor (as is appropriate to the storyline) without easily inserted melodrama or vapidly included contention. For the audience this does one of two things: it makes the pain of its subjects devastatingly palpable (at times my heart was stressfully racing in anticipation for the reveal of what choices would be made) and makes its characters worthy of emotional investment that is beyond compare.
Told in a linear fashion, ‘TPBTP’ has a viscosity to it that avoids convolution and makes it extremely easy to follow. It's professionally woven exposition acts as an incubator for conflict - it would be accurate to say that it practically and theoretically writes itself. Regardless, there is a glaring lack of desperation that is worth mentioning as this requires some viewers to make inferences they may otherwise not be prepared for or willing to consider; a lack of much-needed Insight regarding alternative decisions individuals could make within the overarching context of their existence negates the implication that its characters have no other choice or any sense of true autonomy. There is much to be said here in regards to destiny and the influence of legacy - but these messages transfer inadequately on screen and depend solely on how its viewers feel about concepts such as fate and predestination.
Some suggest that ‘TPBTP’ has significant pacing related issues - and it would be a lie if I said there is no truth to this sentiment. That said, the payoff of sitting through moments lacking in excitement is worth the cost of being temporarily unamused. Cianfrance avoids the temptation of polarizing his characters into camps of “right” or “wrong” or “good” or “evil” . Alternatively, they are revealed as having more in common with one another than originally expected or assumed. As a result of this its characters are forced to explore the consequences of living a life that is cushioned by privilege or faltered by chance. This complexity - at times overwhelming and yet ambitiously commendable - makes ‘TPBTP’ a loosely bound tribute to generational trauma and the ferocity of reconciliation.
On the surface ‘TPBTP’ meanders as a simplistic rendering of the ways in which children can be unexpectedly and exponentially affected by the sins and reputations left behind by paternal figures long after their most immediate period of influence. On the contrary, it is a heart-breaking and gripping account regarding confronting where (or, rather who) you come from without compromising your potential for growth, self-preservation, and capacity for redemption.
I would recommend!
(Probably my favorite ‘First watch’ of 2021 so far!)