出售115网盘VIP年卡,310元/张。
本站提供 蓝光Blu-ray/HDTV 720P/1080P/2160P/4K 蓝光原盘 电影电视,硬盘代拷贝
1. 代拷贝收费标准:例如:500G硬盘(实际可拷贝465G)=70元,640G硬盘(实际可拷贝596G)=80元,1TB硬盘(实际可拷贝930G)=100元,1.5TB硬盘(实际可拷贝1396GB)=150元,2TB硬盘(实际可拷贝1862GB)=200元,3TB硬盘(实际可拷贝2792GB)=300元。本站也有全新拷满自选片源硬盘出售。
2. 购买硬盘联系方式: 阿里旺旺: 点击这里给我发消息  ,邮箱: 淘宝店铺:http://94hd.taobao.com

    关于各种格式的区别:
  • 原盘:原始蓝光光盘上拷贝,包含菜单﹑花絮等,电脑上需用ArcSoft TotalMedia Theater或PowerDVD播放才有字幕,高清播放机播放原盘或原盘ISO,请确保你的机子支持后再选,避免发生兼容性问题
  • REMUX:无损的提取出原盘的原始视频数据和音频数据,去除菜单﹑花絮和多余的音轨,封装到TS格式中,可能采用DVD提取的国粤语和其他音轨,画质与原盘没有差别
  • 720P RiP:对蓝光Blu-ray等介质的原始视频进行重编码,视频形式采用X264编码,容量一般为4.36G~8.7G,音频采用原片音轨转码的AC3或DTS,能采用DVD提取的国粤语和其他音轨,分辨率1280X528~720
  • 1080P RiP:对蓝光Blu-ray等介质的原始视频进行重编码,视频形式采用X264编码,容量一般为6.6G~13G,音频采用原片音轨转码的AC3或DTS,能采用DVD提取的国粤语和其他音轨,分辨率1920X800~1080
  • HDTV的片源是录制于高清电视,基本都有台标

 内容介绍
英文片名Tchaikovsky: Symphonies No.5&6
中文片名蓝光音乐CD (2010)
类型音乐
地区美国
文件大小 6.57 GB, 蓝光原盘 1080i
文件格式 BDMV/MPEG2
音轨 纯音乐 DTS-HDMA 7.1
字幕 无字幕


Tchaikovsky: Symphonies No.5&6 "Pathetique" - Art and Music Expressions Series

Year: 2010
Genre: Classical
Director: Alexander Jero
Cast: Surround Records International Orchestra

Decription:

Modern recording techniques have come alarmingly far in just a few short years. I've had the pleasure of having several commercial recordings released, and my earliest days in the recording studio were spent amid the flutter of reel to reel tapes. Later, exciting 'improvements' like audio Betamax (yep, you read that right) and then digital media like ADATs came into play. Over the past couple of decades-plus, we've seen the advent of hard drive recording systems, with the ubiquitous use of bells and whistles like ProTools, which can make even amateurs (are you listening, Ashlee Simpson?) sound at least passable, what with pitch correction, WAV editing and the like. Casual listeners to modern day product might be quite surprised to see how a recording is assembled, and assembled is, for better or worse, the correct term. Even back in the days of analog recordings, it wasn't unusual for rhythm tracks to be laid down first, often with 'scratch'; vocals, and then for the vocalist to come in to take their final version at a later date. While editing was certainly a more involved procedure back in the day, tape editors became so facile with their 'archaic' medium that even syllables could be fairly seamlessly fixed for a final product. (Anyone wanting a good laugh should listen to John Barry's commentary on You Only Live Twice, where he details the editing lengths they had to go to get a final take of Nancy Sinatra's vocal on the title tune). However, as often as pop, rock and even Broadway cast recordings were 'assembled' in the halcyon days of the 1950's, 1960's and 1970's, even after the advent of hard drive recording, you could count on one genre to preserve at least a semblance of the 'live' ensemble experience, and that was of course classical music. Not anymore. Choral composers like Eric Whitacre have pioneered the idea of a 'virtual choir' where people separated by continents are able to 'join together' to sing via such media as YouTube. And now we are introduced to an 'assembled' orchestra under the 'virtual baton' of Alexander Jero. Jero has been a pioneer in audio Blu-ray and has released several outstanding discs where he's licensed previously recorded material and repurposed for hi-def audio in often rather striking surround versions. Jero is recording a glut of classical warhorses anew, hiring college students to come into his private studio to work under his own baton (hence the ubiquitous use of his image on the covers of all of these releases, something that has caused some comment here on Blu-ray.com). However, these are not live ensemble recordings in the traditional sense. Jero brings sections in separately, and records them, often utilizing previous recordings as reference material. He then assembles the final product in the mixing room. It's an unusual approach for a genre as hopefully organic as classical music, and listeners' reactions may be colored by the knowledge that high tech wizardry has at least helped to craft the architecture of any given performance.

Setlist:

1. Adagio Allegro non troppo - Andante - Moderato Mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
2. Allegro con grazia
3. Allegro molto vivace
4. Finale: Adagio lamentoso --Surround Records

Production: US | Surround Records
Runtime: 01:30:30