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 内容介绍
英文片名Penance
中文片名忏悔 (2009) 
类型恐怖, 神秘, 惊悚
地区美国
文件大小 18.23 GB, 蓝光原盘 1080p
文件格式 BDMV/AVC
音轨 英语 DTS-HDMA 5.1
字幕 无字幕
IMDB评分3.6


◎译  名 忏悔 / 魔鬼的地牢
◎片  名 Penance
◎年  代 2009
◎产  地 美国
◎类  别 悬疑 / 惊悚 / 恐怖
◎语  言 英语
◎上映日期 2009
◎豆瓣链接 https://movie.douban.com/subject/4324495/
◎演  员 迈克尔·鲁克 / Michael Rooker
       Lyndsey Wegner
       Griffin Kohout
       Angila Sullivan
      特雷茜库根 / Tracy Coogan
      娜塔莉·沃克 / Nathalie Walker
      Morann Peri Morann Peri
      杰森·康纳利 / Jason Connery
      托尼·托德 / Tony Todd
      伊芙·茂洛 / Eve Mauro
      詹姆斯·杜瓦尔 / James Duval
      洛奇林·莫罗 / Lochlyn Munro
      凯瑟琳·鲁道夫 / Katherine Randolph
      玛丽亚·德尔菲诺 / Marieh Delfino
      Sita Young Sita Young
      雷蒙德·李 / Raymond Lee
◎制  片  人 德米恩•利希顿斯坦因 / Demian Lichtenstein
      William Clevinger William Clevinger
       James Young
◎服  装 Kerrie Kordowski Kerrie Kordowski
◎化  妆  Tara Loren
◎副  导  演  Lee D. Andrews
      Joshua Lou Friedman Joshua Lou Friedman

◎简  介 

  Penance is an example of this decade's "torture porn" craze at its worst. Cheaply made, with largely unknown actors, the film lacks the creativity of films such as Saw, substituting shock tactics for originality.
  The story is nothing new. An innocent young woman is forced to become a stripper because of financial trouble, and ends up falling into the hands of a depraved religious fanatic. (I'm a humanist, and even I think this movie gives religion a bad name.) What follows is an hour long wallow in torture and extremely graphic sequences of genital mutilation, both male and female.
  What makes the movie particularly disgusting is its implicit acceptance of the moral logic of the villain. The protagonist is a victim of circumstance, not a "bad" stripper like the others, who are depicted in the most stereotypical, degrading way possible. At times, this approach pushes the film into outright misogyny.
  Furthermore, Penance relies on a video taping framing device ripped off from better films like REC. The result is a cheap looking digital feature that adds nothing to the overall story.
  The only good points of the film are the scenes with Michael Rooker, which unfortunately comprise only ten minutes or so. One wishes the film had been focused on his character instead.